Legitimate Cinema: Theatre Stars in Silent British Films, 1908-1918

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Click on an option below to access. Log out of ReadCube. Volume 48 , Issue 2. The full text of this article hosted at iucr. If you do not receive an email within 10 minutes, your email address may not be registered, and you may need to create a new Wiley Online Library account. If the address matches an existing account you will receive an email with instructions to retrieve your username.

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Theatre Stars in Silent British Films, 1908-1918

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Legitimate Cinema Theatre Stars in Silent British Films, 1908-1918

Purchase Instant Access. View Preview. Learn more Check out. Citing Literature. We help you to convert old video recordings or films to digital format. Sorry, it seems that the collections are currently unavailable. Please try again in a few minutes. Most of his research is focused on the subject of silent cinema, with a particular emphasis on early British cinema.

He has written numerous essays and articles about different aspects of British silent film culture and a monograph about the employment of famous theatre stars in British cinema of the s.

To date, it has inspired a hugely successful BBC television series along with a very well-received collection of essays and several bestselling DVDs. But whilst the publication of the first academic monograph devoted to this collection might seem as inevitable as it is timely, it is important to note that the films of Mitchell and Kenyon represent as much of a challenge as a gift when it comes to extended study. The contents of this collection are nothing like as varied as its American and French equivalents, being overwhelmingly dominated by non-fiction footage of crowd scenes in industrial cities of the North and the Midlands over of the titles are films of factory labourers leaving work, for example.

Theatre Stars in Silent British Films, 1908-1918

The comparative paucity of published research on early actuality filmmaking reflects — at least in part — the fact that film historians have generally found the genre difficult to write about in detail. This is ultimately a subsidiary strand of the book, however, and the discussion of purely textual issues is largely confined to a single chapter.

Electric Edwardians: The Story of the Mitchell and Kenyon Collection · Learning on Screen

The two chapters described above make up around one-third of the book. The lengthiest part of the text takes the form of a socio-historical examination of the dominant subjects represented in the collection, divided into chapter-length sections on entertainment, sport, the city space, work and militarism.

The one aspect of this book which I found mildly exasperating is the lack of a full explanation of the aims which inform the organisation of these chapters and the approach taken.